If the instrument or plug-in features sidechaining, you’ll find a drop-down menu in the top-right corner of the interface that lets you select a separate input (either an audio track, instrument or buss) as the sidechain source.
Going a stage further, there’s even a range of software instruments – including the ES2, Sculpture and the EVOC 20 PolySynth – that also feature the provision of sidechain inputs. The first thing to note are the specific plug-ins that support sidechaining, most notably the Compressor plugin, but also Noise Gate, Auto Filter and the EVOC 20 TrackOscillator. Now that we understand these principles, let’s look at how it’s implemented in Logic. Sidechaining as a technique that originates from the days of dedicated studio hardware, where a device would have multiple inputs (more on this in a bit) and engineers had complete flexibility in respect to how they routed a signal around the studio. You are watching: How to sidechain in logic pro x In this workshop, we take a look at both the practicalities of setting up a sidechain in Logic Pro X, as well as exploring some of the key techniques and approaches used in music production. In the case of Logic Pro X, you’ll find a large number of plug-ins that support sidechaining, but what can you expect to achieve and how do you configure and route signals in your mix to make best use of sidechaining? However, while most of us have heard about the concept, things can get confused when it comes to implementing it in your DAW.
From French-style EDM compression, through to de-essing and chopped-up synth pads, there’s a range of creative signal-processing techniques powered by sidechaining.
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